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Yves Bonnefoy
University of Chicago Press
A meditation on the major plays of Shakespeare and the thorny art of literary translation, Shakespeare and the French Poet contains twelve essays from France's most esteemed critic and preeminent living poet, Yves Bonnefoy. Offering observations on Shakespeare's response to the spiritual crisis of his era as well as compelling insights on the practical and theoretical challenges of verse in translation, Bonnefoy delivers thoughtful, evocative essays penned in his characteristically powerful prose.

Translated specifically for an American readership, Shakespeare and the French Poet also features a new interview with Bonnefoy. For Shakespeare scholars, Bonnefoy enthusiasts, and students of literary translation, Shakespeare and the French Poet is a celebration of the global language of poetry and the art of "making someone else's voice live again in one's own."
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Yves Bonnefoy
University of Chicago Press
The only collection of Yves Bonnefoy's criticism in English, this volume offers a coherent statement of poetic philosophy and intent—a clear expression of the values and convictions of the French poet whom many critics regard as the most important and influential of our time. The Introduction touches on many of the essays' concerns, including Bonnefoy's recourse to moral and religious categories, his particular use of Saussure's distinction between langue and parole, his early fascination with Surrealism, and his view of translation as "a metaphysical and moral experiment." The essays, published over a nearly thirty-year span, respond to one another, the more recent pieces taking up for renewed consideration ideas developed in earlier meditations, thereby providing the volume with integrity and completeness. Among the subjects addressed in these essays are the French poetic tradition, the art of translation, and the works of Shakespeare, of which Bonnefoy is the preeminent French translator.
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In the Shadow's Light
Yves Bonnefoy
University of Chicago Press, 1991
This bilingual edition of the contemporary master's fifth work, Ce qui fut sans lumi, re, will delight, engage, and stir all lovers of poetry. Included here is an extensive new interview with the poet in English translation.

"Included here is a very helpful and touchingly personal interview with the poet. . . . For readers with no prior knowledge of Bonnefoy's work, this volume would be an excellent place to start."—Stephen Romer, Times Literary Supplement
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New and Selected Poems
Yves Bonnefoy
University of Chicago Press, 1995
Yves Bonnefoy, celebrated translator and critic, is widely considered the most important and influential French poet since World War II. Named to the College de France in 1981 to fill the chair left vacant by the death of Roland Barthes, Bonnefoy was the first poet honored in this way since Paul Valery. Winner of many awards, including the Prix Goncourt in 1987 and the Hudson Review's Bennett Award in 1988, he is the author of six critically acclaimed books of poetry.

Spanning four decades and drawing on all of Bonnefoy's major collections, this selection provides a comprehensive overview of and an ideal introduction to his work. The elegant translations, many of them new, are presented in this dual-language edition alongside the original French. Several significant works appear here in English for the first time, among them, in its entirety, Bonnefoy's 1991 book of verse, The Beginning and the End of the Snow, the 1988 prose poem Where the Arrow Falls, and an important long poem from 1993, "Wind and Smoke." Together with poems from such classic volumes as "In the Lure of the Threshold", these new works shed light on the growth as well as the continuity of Bonnefoy's work.

John Naughton's detailed introduction looks at the evolution of Bonnefoy's poetry from the 1953 publication of "On the Motion and Immobility of Douve", which immediately established his reputation as one of France's leading poets, through the 1993 publication of The Wandering Life and its centerpiece "Wind and Smoke."

"This is a comprehensive selection that contains examples of work spanning [Bonnefoy's] full career of forty years, from the ground-breaking "Du Mouvement et de l'Immobilité de Douve" through the celebratory "Pierre Ecrite" to the magical winter landscapes of America's East Coast and an unsettling reworking of myth in the recent "La Vie Errante" . . . The translations, which are the work of a variety of hands, including Galway Kinnell, Emily Grosholz and Anthony Rudolf, nevertheless fit well together and all are sensitive to the register and subtleties of both languages, while the introductory essay by John Naughton expertly explains Bonnefoy's importance as a poet and the influences which have shaped him. This is definitely a volume worth having, for layman and French specialist alike."—Hilary Davies, Times Literary Supplement

"Anyone not familiar with Bonnefoy's work will benefit from the background information and explanations given by John Naughton in his excellent introduction . . . . The book as a whole provides an excellent introduction to Bonnefoy's poetry and to his concerns of a lifetime."—Don Rodgers, Poetry Wales
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The Poetics of Yves Bonnefoy
John Naughton
University of Chicago Press, 1984
Yves Bonnefoy is the most important and influential French poet to have emerged since the Second World War. Poet, art critic, historian, translator (particularly of Shakespeare), specialist in the problem of the relation of poetry to the visual arts and to the history of religions, Bonnefoy is now considered one of the most distinguished men of letters of his generation.

Though Bonnefoy's work is familiar to American scholars, the complexity of his thought and style has created a need for a critical introduction to his work. This first major study of Bonnefoy written in English provides an overview of his entire literary career. Naughton situates Bonnefoy in the context of the existential philosophical tradition that nurtured him and in the poetic and artistic tradition that includes Dante and Shakespeare, Piero and Poussin, Baudelaire and Rimbaud. Bonnefoy's poems appear in both French and English, and all quotations from his prose have been translated.

This book will appeal not only to the growing number of students and scholars of French literature interested in Bonnefoy's work, but also to those who study comparative poetry and the relation of poetry to art and to contemporary religious thought.
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